RT : Interesting that Nolan's film seems to meld together two major sources of British WWII self-image: the doughty sea rescue by British small boats of hundreds of thousands of trapped soldiers on the Belgian beaches, and the contemporary 1940 air war against the Nazi invasion known as the 'Battle of Britain' ( (though not a part of the film, The Blitz of London would be the third of these heroic tropes.) While the film 'Dunkirk' certainly seems a memorial to the moral clarity of the past, it is also inevitably a reflection on our present-day incapacity to live beyond ironic self-reflection and bitter partisanship. Yet more importantly, in making a war film without ever representing an enemy, Nolan has allowed us the opportunity to examine our own hopes and fears as being what they are and not as a sign of noble purpose. This is a brilliant film for more than its technically proficient beauty, and a reason to compare it to the great Kubrick mora...