There is actually very little in "Us" that doesn't amount to a perverse sort of wish-fulfillment... until the very end. Adelaide WIlson suffered a terrible trauma as a young child, but as Barbara Streisand recently took advantage about us to say about Michael Jackson's child victims in order to recover Michael's reputation, since she ended up with a loving husband and a handsome family, and as well, affluent, underneath our assessment of her is base sense that it couldn't really have been that bad. If I could have everything she had, I'd undertake her trauma, pretty much in a blink, is what we say to ourselves. Not only that, without it being explicitly delineated for us her being a person OF trauma seems to lend her aspects which would camouflage well, almost of depth, particularness: when we compare her with her "friend," Kitty Tyler, the wife of the family they pair up with a lot for social occasions, her knowing trauma is linked, as is her...