The Conjuring
I don't know if contemporary filmmakers are aware of it, but if they decide to set their films in the '70s, some of the affordments of that time are going to make them have to work harder to simply get a good scare from us. Who would you expect to have a more tenacious hold on that house, for example? The ghosts from Salem, or us from 2013, who've just been shown a New England home just a notch or two downscaled from being a Jeffersonian estate, that a single-income truck driver with some savings can afford? Seriously, though it's easy to credit that the father — Roger Perron—would get his family out of that house as fast as he could when trouble really stirs, we'd be more apt to still be wagering our losses—one dead dog, a wife accumulating bruises, some good scares to our kids—against what we might yet have full claim to. The losses will get their nursing—even the heavy traumas, maybe—if out of this we've still got a house—really,...
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