The Wolf of Wall Street (part two) Richard Brody just wrote a review of “Wolf of Wall Street” where he began by discussing “Inside Llewyn Davis,” showing how anything good—he really liked both films—is “about pretty much everything.” Specifically, referring to Llewyn’s catching a glimpse of Bob Dylan on a stage that he's sort of owned for years, he says that the film's about the “terrible, subtle blow that knocks a person from the vanguard to the sidelines, from the promise of youth to the nostalgia of age in a single moment.” He then gets to his discussion of “Wolf,” about the particular fashion in which it's about pretty much everything—or rather, the considerable part of the human that involves huge internal energies we tend to want to suppress or deny. I wished he had paused before rolling along, for it'd have been the right thing to have done, and inadvertently he had handed himself a solid prompt to have done so. For what Brody does not end up con...