The Invisible Counterpoint

I'd like to superimpose the fourth-wall breaking Deadpool that I'd like to have seen in the movie . In my version, he'd break out of the action at some point to discuss with us the following: 1) He'd point out that all the trouble the movie goes to to ensure that the lead actress is never seen completely naked — no nipples shown — in this R-rated movie was done so that later when we suddenly see enough strippers' completely bared breasts that we feel that someone was making up for lost time , we feel that a special, strenuous effort has been made to keep her from a certain fate — one the R-rating would even seemed to have called for, necessitated, even, to properly feed the audience expecting something extra for the movie being more dependent on their ticket purchases. That is, protecting the lead actress was done to legitimize thinking of those left casually unprotected as different kinds of women — not as worthy, not as human.    2) When Wade/Deadpool...

According to the psychiatrist I pay most attention to, James F. Masterson, children who grow up under mothers who require their children to meet their own unmet needs for attention have a very difficult time nurturing what he calls their "real self." What happens is that the mother's strongly averse reaction to the child's first sign of autonomy, which occurs when as an infant s/he first started walking, and which kicks in hard once again at adolescence, scares the child away from full (or even partial) self-realization. In the way of the path ahead to ever becoming his or her real self are fears and pains arising owing to feeling abandoned, which are so paralyzing they're akin to what reliably blocked Truman from just driving across the bridge and leaving Seahaven in The Truman Show. He calls them the Six Horsemen of the Psychic Apocalypse: Depression, Panic, Rage, Guilt, Helplessness, and Emptiness. What happens to such children? They never really grow up, ...