The critic Richard Brody has written that in Hail, Caesar the Coen brothers are exploring their own 1950s origins. So that would be two men of 2016 looking back on a very patriarchal society where father knows best and where the majority of families were still raised in a conservative fashion (this wasn't a time where you were supposed to float free and discover your own calling, but still mostly follow through with what your ostensibly "did it all for you," "self-sacrificing" parents expected of you). And so we might presume there would be some criticism of this previous social order—the women we see confined to supplementary roles would show the capacity to actually lead companies if only they were in the 21st; those we see shepherded into accomplishing what others expect of them would betray something rote about their efforts that would be absent if they'd had the freedom and encouragement to discover what they themselves wanted in life. Yet we do n