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By the time you get to it, we're long gone, sorry

But, my God, we don’t watch our own movies. No. You work on it for a year, a year and a half, and especially by the final stage when you’re fussing over every little thing — and we cut them ourselves — and everything is problem-solving, fixing stuff up. There’s a job involved, and beyond that when there’s nothing to be done, why would you look at it again? I mean, you know how it comes out. (interview with Coen brothers by Andrew O'hehir, at

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"Don't watch our own movies"
I hate that answer. It's designed to make them seem remote from us, as if we're rabidly chasing down appetites they're removed from. There's no way they haven't replayed the experience of making the movies — key scenes, reverberating portrayals — many times, even as they go about their next projects. Piecemeal, over time, they've seen them as much as any of us ... I, personally, would have made this clear. Join the rest of us, Coens, and particular yourself from there. It'd be more interesting. 

rdnaso@Emporium Nothing ruins the fun of watching a movie more than working on it. At the end, just like they say, everyone's just trying to get it out the door on time and all too aware of everything that could have been done differently and better. I doubt that novelists spend much time reading their own novels either: too busy working on the next one. Mailer claimed to not read at all: "I'm more a writer than a reader." Poets though - they read their own stuff compulsively… 

@rdnaso @Emporium If that were generally true about movies, by now it wouldn't be a surprise to learn they don't watch their own — in fact we'd be surprised if they did. I think many creators know that it sounds sort of masculine to always be onto the next work, and feminine, to admit watching the whole film with an audience is an experience you look forward to. They toss things off as soon as possible and don't look back, while we, their dependents, indulge and revisit. Masculine to our feminine. 


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