In Ishiguro's "The Buried Giant," collective memory that
has been suppressed, suddenly comes back full bloom. All memory of
victimization, is suddenly remembered by all. Ishiguro presents it as, in one
sense, quite necessary, but also as fully regrettable as it gives
incontrovertible righteous fodder for the war-intending.
With what's coming out of Hollywood and Washington now, his novel
really resonates. For while it seems only good that we are now becoming
knowledgeable of the sheer number of predators in both places, and that victims
who had felt kowtowed and shamed for years are now feeling some sense of
resolve and self-pride again, it is also true that both of these places are
seeming more the cesspools of the corrupt of rightwing populist lore.
It is possible that as we see these many reveals and long-delayed
takedowns occur and realize, as it makes the previous tendency of both of these
high-density, democrat-voting locals to attack "everyday Americans"
as the seat of everything that is foul in the world an actual inversion of
truth, that it is the rightwing rather than feminism that is best taking
advantage of it, we may find ourselves regretting that we are now duty-bound
(absolute fidelity with the victimized) to follow this to the end.
Lloyd deMause once talked about social institutions as delegate
groups that "act out ambivalent feelings common to all
members of the larger group but which the rest of the group wish to deny."
He referred to "the
Church as a group-fantasy of dependency, the Army as a group-fantasy of birth,
the Government as a group-fantasy of nurturance, Capitalism as a group-fantasy
of control, Revolution as a group-fantasy of counterdependency, the Class
System as a group-fantasy of obeisance, The School as a group-fantasy of
humiliation." DeMause thus provides liberals with a means of understanding
why these locations of such absolute resolved faith in voting Democratic, in
supporting governments that are progressive and improve the lot of wo/mankind,
can also be places where predatory behaviours run rampant. Powerful people
working there are cued by the public at large to act out specific group fantasy
needs -- to make unknowns suddenly famous, but also the horrible inverse: to
act out punishments upon them for their egoistic desire to have it all; to live
out the American dream.
Without deMause's help, where will be left but to agree that these
places that were such leaders in keeping democracy afloat have been revealed to
be, in fact, the very cesspools the rightwing have always declared them to be
and are in deep need of supervision and reform... an aroused movement lead by
those currently becoming the recognized holders of virtue, those loyal to
"the forgotten American man and woman," namely, nativists,
nationalists, whether right or left.
Richard Brody shared a link.Moderator · November 20 at 3:38pm I'm obsessed with Bringing Up Baby, which is on TCM at 6 PM (ET). It's the first film by Howard Hawks that I ever saw, and it opened up several universes to me, cinematic and otherwise. Here's the story. I was seventeen or eighteen; I had never heard of Hawks until I read Godard's enthusiastic mention of him in one of the early critical pieces in "Godard on Godard"—he called Hawks "the greatest American artist," and this piqued my curiosity. So, the next time I was in town (I… I was out of town at college for the most part), I went to see the first Hawks film playing in a revival house, which turned out to be "Bringing Up Baby." I certainly laughed a lot (and, at a few bits, uncontrollably), but that's not all there was to it. I had never read Freud, but I had heard of Freud, and when I saw "Bringing Up Baby," its realm of symbolism made instant sense; it was obviou…
The best part of this film was
when Rose McGowan appeared in Asgard and accosted Odin and his sons for
covering up, with a prettified, corporate, outward appearance that's all
gay-friendly, feminist, multicultural, absolutely for the rights of the indigenous,
etc., centuries of past abuse, where they predated mercilessly upon countless
unsuspecting peoples. And the PR department came in and
said, okay Weinstein... I mean Odin and Odin' sons, here's what we suggest you
do. First, you, Odin, are going to have to die. No extensive therapy; when it
comes to predators who are male, especially white and male, this age doesn't
believe in therapy. You did what you did because you are, or at least strongly
WERE, evil, so that's what we have to work with. Now death doesn't seem like
"working with it," I know, but the genius is that we'll do the rehab
with your sons, and when they're resurrected as somehow more apart from your
regime, belonging as tropes …