Skip to main content

Oscar winners and cultural impact

But a gut feeling tells those of us who were only mildly impressed by The King’s Speech that something feels wrong. That’s not to say the multiple Oscar-winning biopic of stuttering King George VI isn’t good. It is. But would it feel any more right if it was The Social Network that had won Best Pic and wound up outranking some of the above titles? Maybe, if only because TSN felt more impactful in the overall scheme of things, culturally speaking; the same could be argued of Black Swan, with its stylish bravado and unforgettable central performance.

Then again, digging into the list we’re reminded of Oscar’s prior history of selecting dubious Best Picture winners; The King’s Speech also outranks Shakespeare in Love, Forrest Gump, Dances with Wolves, and Crash. And that feels just right. (Jen Yamato, “Is King’s Speech Really Better Than Unforgiven, The Sting, and These Other Best Picture Oscar Winners?,” Movieline, 4 March 2011)

I have a feeling that King's Speech is going to last; the friendship it pro-offers is too interesting and inspiring -- moving -- I think, for the movie to just have the title now owing to its commitment to and its helping entrench a just-before-long-war preferred attitude shift toward selfless service and sacrifice. I think the film will now do more harm than good, but a different generation could recover it for better purposes, and will likely want to: it evidently has a lot to teach a nation concerned with the careful knitting of a frayed social fabric about empathy and love. For me, it's above Unforgiven, certainly.

Forrest Gump has lasted as long as Pulp Fiction (and they both hold that year's title in my mind). You know this -- why did you include it with the rest of list of readily left-behinds?

Link: Is King’s Speech Really Better Than Unforgiven, The Sting, and These Other Best Picture Oscar Winners? (Movieline)

Labels:

Comments

Post a Comment

Popular posts from this blog

Watch out, liberal extremities!

Watch out, liberal extremities! websmith says: “White people and an increasing number of minorities are tired of being called racists by the true racists and more appalled that this loony bleeding has spread from the heart to the brain." This is what many progressives are going to have to get used to hearing -- that THEY are the true racists! I've said this before but '60's liberalism goes down when enough people have decided that, in sum, it was never truly about what minorities, impoverished people wanted/needed, but instead what certain AFFLUENT WHITE PEOPLE wanted to believe those they ostensibly spoke for wanted/needed. They (progressives) will be made to seem, not the most caring, but the most negligent, most truly self-serving. Of course, most democrats in power will not be too afflicted by this, because they're ready to turn on the ’60s too. Why? Because, sad to say, they're getting in mood to want to see the weak and needy set-up as punishment-worthy a...
Post a Comment
Read more

Discussion over the fate of Jolenta, at the Gene Wolfe facebook appreciation site

Patrick McEvoy-Halston November 28 at 10:36 AM Why does Severian make almost no effort to develop sustained empathy for Jolenta -- no interest in her roots, what made her who she was -- even as she features so much in the first part of the narrative? Her fate at the end is one sustained gross happenstance after another... Severian has repeated sex with her while she lay half drugged, an act he argues later he imagines she wanted -- even as he admits it could appear to some, bald "rape" -- but which certainly followed his  discussion of her as someone whom he could hate so much it invited his desire to destroy her; Severian abandons her to Dr. Talus, who had threatened to kill her if she insisted on clinging to him; Baldanders robs her of her money; she's sucked at by blood bats, and, finally, left at death revealed discombobulated of all beauty... a hunk of junk, like that the Saltus citizens keep heaped away from their village for it ruining their preferred sense ...
Post a Comment
Read more

Salon discussion of "Almost Famous" gang-rape scene

Patrick McEvoy-Halston: The "Almost Famous'" gang-rape scene? Isn't this the film that features the deflowering of a virgin -- out of boredom -- by a pack of predator-vixons, who otherwise thought so little of him they were quite willing to pee in his near vicinity? Maybe we'll come to conclude that "[t]he scene only works because people were stupid about [boy by girl] [. . .] rape at the time" (Amy Benfer). Sawmonkey: Lucky boy Pull that stick a few more inches out of your chute, Patrick. This was one of the best flicks of the decade. (sawmonkey, response to post, “Films of the decade: ‘Amost Famous’, R.J. Culter, Salon, 13 Dec. 2009) Patrick McEvoy-Halston: @sawmonkey It made an impression on me too. Great charm. Great friends. But it is one of the things you (or at least I) notice on the review, there is the SUGGESTION, with him being so (rightly) upset with the girls feeling so free to pee right before him, that sex with him is just further presump...
3 comments
Read more