1) "Prometheus" succeeds
in showing us that whatever the ultimate secrets of the universe might be,
they're going to have to be really something to not instinctively seem less
rousing than when a spirited human being is roused into action out of fidelity to
a felt truth that she is part of something worthwhile and good in this world.
The android draws wonder from two things in the movie -- the aliens'
cosmological map, evidence of their distilled, focused interest in us; and the
anthropologist's surprising resiliance. I did find the light show
appealing, but when we realize the star men are considerably less possessed of
life than the android is -- that they're really just battle robots, further
evolution of the android looks to involve his drawing wonder that the young
woman hasn't shorn herself of needing to find something outside of herself for
authority and inspiration. "It speaks for you that you want to see
greatness in everyone around you, for it betrays that you know greatness inside
yourself, and that it is worth pursuing, but it wasn't so much in your
boyfriend, and it hasn't proved so much in ancestors, however celestially hued
... Look, girl -- people like you are the evidence that someone out
there should cast about and look for something better, which means the
opposite that you should be occupying yourself doing the same thing.
Your not conceiving of yourself as akin to the origins of life, as
someone who through her spirit can stir other people to greater things, is
inhibiting you from just making rather than studying and searching.
The cultural products these aliens have made is barren and gross; let's
see what you might come up with, instead. Adventure, is better than
answers, for it means not finding out but interacting, changing, challenging --
I go with you now to the home planet 'cause I see this has become your main
point."
Maybe the film needed to be set in Venice.
As is, all those not blind can see is her spirit.
2) Mind you, the great
vaginal-placental beast in this movie is really quite something. I was
happy that someone with our DNA could offer a bit of resistance to it. It
says something that Ridley Scott still keeps us focused on the female
anthropologist; anyone less developed would have been thinking only of the
climax moment involving satisfying the vivid, hungry maw, and no personality
would have been fleshed out for us in the film. She's the counterforce,
the outside, that keeps us from being tentacled and sucked in to the squid
horror like everyone else.
3) I thought the android and the lady
anthropologist made a great pair; I am glad they went off on adventures
together.
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