Skip to main content

The American Bottom

I tend to use Amazon more as a resource about books than to actually purchase books. I can find publishing dates, latest editions, cover art and synopses. I can also read several pages of a book I might be interested in ordering, and I like the age recommendations if I am shopping for a young person. But, above all, I am always drawn to the reader reviews, especially reviews of books I have already read myself.

[. . .]

Then there are the reviews that I'm drawn to somewhat masochistically, those that give one-star ratings to a work that has moved me inexpressibly or influenced me indelibly. I thought it might be fun (well, depending on what your definition of "fun" is) to see what some of those one-star folks had to say about a few of my favorite books, as well as some of the books that appeared on others' lists.

Here for your amusement, completely unedited, are some heartfelt one-star Amazon book reviews! (I have left off any names, although most of them are written anonymously.)[sic throughout] (Jeanette Demain, Salon, Amazon reviewers think this masterpiece sucks,” Salon, 2 April, 2010)

The American Bottom

When people are looking for sure signs of the decline of the U.S., I would think they would need to explain themselves some if what they point to is too much allowance for the amateur and an abominable widespread inclination to thumb noses to betters. Whatever the well-wrought philosophical poeticism of the founding documents, it seems to me that it's the equivalent of a rude and impromptu finger to the king, which marked the spirit of its founding.

Many have hoped to costume themselves "betters" by mimicking gentry bemusement / irritation at the mob. I don't at all recall any great writer having much good to say about them, though. "Amateur" can be redeemed; "pretender," "hangers-on": not so much.

- - - - - - - - - - -

Why evil may be good for the humanities

For some time now, those in English departments who sought to teach what made Great Works great, were on the defense. Departments were essentially "owned" by those who "problematized" the works, making them seem more historical documents, full of misogynistic, homophobic, racist stuff, than works of eternal genius to be studied and worshipped.

I wonder if our instinct to use the past to show how depraved our contemporaries are is now once again so strong that the tendency will once again be to make great men Gods. Gods we can enjoin, that will buoy our laughing at former neighbors and friends, whose unfamiliarity with Beckett, discomfort with Austin, means they have earned their torture, before the cracks open up, they fall away, and die.

Link: Amazon reviewers think this masterpiece sucks (Salon)

Comments

Popular posts from this blog

Discussion over the fate of Jolenta, at the Gene Wolfe facebook appreciation site

Patrick McEvoy-Halston November 28 at 10:36 AM Why does Severian make almost no effort to develop sustained empathy for Jolenta -- no interest in her roots, what made her who she was -- even as she features so much in the first part of the narrative? Her fate at the end is one sustained gross happenstance after another... Severian has repeated sex with her while she lay half drugged, an act he argues later he imagines she wanted -- even as he admits it could appear to some, bald "rape" -- but which certainly followed his  discussion of her as someone whom he could hate so much it invited his desire to destroy her; Severian abandons her to Dr. Talus, who had threatened to kill her if she insisted on clinging to him; Baldanders robs her of her money; she's sucked at by blood bats, and, finally, left at death revealed discombobulated of all beauty... a hunk of junk, like that the Saltus citizens keep heaped away from their village for it ruining their preferred sense ...

Salon discussion of "Almost Famous" gang-rape scene

Patrick McEvoy-Halston: The "Almost Famous'" gang-rape scene? Isn't this the film that features the deflowering of a virgin -- out of boredom -- by a pack of predator-vixons, who otherwise thought so little of him they were quite willing to pee in his near vicinity? Maybe we'll come to conclude that "[t]he scene only works because people were stupid about [boy by girl] [. . .] rape at the time" (Amy Benfer). Sawmonkey: Lucky boy Pull that stick a few more inches out of your chute, Patrick. This was one of the best flicks of the decade. (sawmonkey, response to post, “Films of the decade: ‘Amost Famous’, R.J. Culter, Salon, 13 Dec. 2009) Patrick McEvoy-Halston: @sawmonkey It made an impression on me too. Great charm. Great friends. But it is one of the things you (or at least I) notice on the review, there is the SUGGESTION, with him being so (rightly) upset with the girls feeling so free to pee right before him, that sex with him is just further presump...

The Conjuring

The Conjuring 
I don't know if contemporary filmmakers are aware of it, but if they decide to set their films in the '70s, some of the affordments of that time are going to make them have to work harder to simply get a good scare from us. Who would you expect to have a more tenacious hold on that house, for example? The ghosts from Salem, or us from 2013, who've just been shown a New England home just a notch or two downscaled from being a Jeffersonian estate, that a single-income truck driver with some savings can afford? Seriously, though it's easy to credit that the father — Roger Perron—would get his family out of that house as fast as he could when trouble really stirs, we'd be more apt to still be wagering our losses—one dead dog, a wife accumulating bruises, some good scares to our kids—against what we might yet have full claim to. The losses will get their nursing—even the heavy traumas, maybe—if out of this we've still got a house—really,...