Skip to main content

anarcho: (4 February 2009)

Anarcho: 1920s Moderns reacted against Victorians, and made fun of their prose style. They deemed it sentimental and florid; they argued their writers catered to the tastes of their female readership; and argued in favor of (in Raymond Chandler's phrase) "brutal honesty": masculine, straightforward prose that was simple, direct, and clear -- what you are asking from me, what most teachers of writing ask from their writers. It IS a masculine prose-style. It was fashioned by moderns – deliberately -- to help beat back the overbearing Victorian Matriarch "bitch." And its predominance has made it so that today, even if you like Victorian prose, you had better not imitate the style when you write papers/essays -- you'll be killed for it.

I'd have to do research to find out what they specifically thought of Dickens and such, but I know of Henry James (someone whose prose bridges both periods) that Fitzgerald and Hemingway tended to make fun of his genteel, femmy, prose style.

I'm genuinely sorry my writing amounts to a mass of words for you. Not much fun if I can't communicate even the sense of what I was after.

ME2: I've very well educated. Specifically, I'm a frequent visitor of Itunes U, and by now I bet I have the equivalent of ten-or-maybe-twelve degrees. When they decide to credit this, I'll put down those dustjackets (how did you know?), and spend my time admiring all the degrees papering my bedroom walls.

Link: The Tyee

Comments

Popular posts from this blog

Watch out, liberal extremities!

Watch out, liberal extremities! websmith says: “White people and an increasing number of minorities are tired of being called racists by the true racists and more appalled that this loony bleeding has spread from the heart to the brain." This is what many progressives are going to have to get used to hearing -- that THEY are the true racists! I've said this before but '60's liberalism goes down when enough people have decided that, in sum, it was never truly about what minorities, impoverished people wanted/needed, but instead what certain AFFLUENT WHITE PEOPLE wanted to believe those they ostensibly spoke for wanted/needed. They (progressives) will be made to seem, not the most caring, but the most negligent, most truly self-serving. Of course, most democrats in power will not be too afflicted by this, because they're ready to turn on the ’60s too. Why? Because, sad to say, they're getting in mood to want to see the weak and needy set-up as punishment-worthy a...

Discussion over the fate of Jolenta, at the Gene Wolfe facebook appreciation site

Patrick McEvoy-Halston November 28 at 10:36 AM Why does Severian make almost no effort to develop sustained empathy for Jolenta -- no interest in her roots, what made her who she was -- even as she features so much in the first part of the narrative? Her fate at the end is one sustained gross happenstance after another... Severian has repeated sex with her while she lay half drugged, an act he argues later he imagines she wanted -- even as he admits it could appear to some, bald "rape" -- but which certainly followed his  discussion of her as someone whom he could hate so much it invited his desire to destroy her; Severian abandons her to Dr. Talus, who had threatened to kill her if she insisted on clinging to him; Baldanders robs her of her money; she's sucked at by blood bats, and, finally, left at death revealed discombobulated of all beauty... a hunk of junk, like that the Saltus citizens keep heaped away from their village for it ruining their preferred sense ...

Salon discussion of "Almost Famous" gang-rape scene

Patrick McEvoy-Halston: The "Almost Famous'" gang-rape scene? Isn't this the film that features the deflowering of a virgin -- out of boredom -- by a pack of predator-vixons, who otherwise thought so little of him they were quite willing to pee in his near vicinity? Maybe we'll come to conclude that "[t]he scene only works because people were stupid about [boy by girl] [. . .] rape at the time" (Amy Benfer). Sawmonkey: Lucky boy Pull that stick a few more inches out of your chute, Patrick. This was one of the best flicks of the decade. (sawmonkey, response to post, “Films of the decade: ‘Amost Famous’, R.J. Culter, Salon, 13 Dec. 2009) Patrick McEvoy-Halston: @sawmonkey It made an impression on me too. Great charm. Great friends. But it is one of the things you (or at least I) notice on the review, there is the SUGGESTION, with him being so (rightly) upset with the girls feeling so free to pee right before him, that sex with him is just further presump...