You might like this film, if your
thing is to be in near proximity to someone who can be tight to the world as a
sealed box. With the help of hypnotism, past connections, or, for us, an
entising opening, we all come to him; and though we press upon him sufficiently
to make him lean, we feel -- withstood. I'm tempted to say he's a (Karen)
Carpenterish restrained school girl, budding, but with books tight to the chest
to keep from betraying herself with jiggle. But I probably say this
mostly because the finish has the just-passed-pubescence, adolescent girl
growing all hairy and unruly, raging all out at the full-figured presuming
witch who dared trespass into her room. It flashed upon us like a primal
scene amidst otherwise decanted space, maybe searing into our memory.
Afterwards, the boy finally summons up his ghost -- leaving it to a woman (the
ghost's his mother) to unleash the arsenal required to daunt the witch -- and
the ocean opens us up to a subsequent villain, but to no avail: we'd
sealed up already, content with the first-offered surprise reveal.
Patrick McEvoy-Halston November 28 at 10:36 AM Why does Severian make almost no effort to develop sustained empathy for Jolenta -- no interest in her roots, what made her who she was -- even as she features so much in the first part of the narrative? Her fate at the end is one sustained gross happenstance after another... Severian has repeated sex with her while she lay half drugged, an act he argues later he imagines she wanted -- even as he admits it could appear to some, bald "rape" -- but which certainly followed his discussion of her as someone whom he could hate so much it invited his desire to destroy her; Severian abandons her to Dr. Talus, who had threatened to kill her if she insisted on clinging to him; Baldanders robs her of her money; she's sucked at by blood bats, and, finally, left at death revealed discombobulated of all beauty... a hunk of junk, like that the Saltus citizens keep heaped away from their village for it ruining their preferred sense ...
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