Skip to main content

Iron Man vs. Captain America


Note:  this is a reply to Maria Aspan's discussion of the four key things that worked about the Avengers (at movieline.com).
Re:   The Avengers doesn't try to give equal time to each of the heroes; it might as well be called Iron Man 2.5.  Thor is there to swing his hammer and drop off the villain from his movie, Hawkeye gets brainwashed before we even know him, and Captain America fades into Tony Stark's straight man.  And you know what?  Those are good things.  The movie's already over two hours.  And by choosing a few Avengers to focus on, Whedon made me more invested in what happened to Stark and Black Widow and the Hulk during the course of the movie.
Stephanie Zacharek, you'll note, saw it different.  She argued that Iron Man's pronouncement, his "self-important wisecracks, begin to wear a rut in the movie" -- that he wore on us, leaving the hero who all along didn't try to hard -- Captain America -- as the stand-out Avenger.  She said it was the hero who remained most human that you remember; and it is true that the ground fight involving the least powerful Avengers -- Hawk Eye, Captain America, Black Widow -- left together enough human precariousness and human uplift to make them seem for a moment the human core and the rest as external battle armaments.  I wrote awhile ago, in a comment that may, alas, have gotten lost in the woods, that we might see in this film a transitioning away from the super-hero types we've gotten used to wanting to associate with -- the wise-cracking Wolverine or Iron Man types -- towards actually wanting the patriotic, the square, the straight-man types redeemed for our appreciation, even our identification.  I thought the old preference would have to be allayed, played to, to make the transition possible while keeping our self-respect.  I think we're all still more here with Iron Man than we are with Captain America, as you argue, but that comment in the film about America actually being in the mood for old school, and the scene where Captain America garners the respect of the police force, began to clear a path, I think, for Captain America to more take over in the next film -- with his perhaps even being accorded a knock-out win in an argument with Stark, with average intelligence but solid virtue stearing wit and snark clear to the side.  How this will happen while engaging an inter-galactic villain, I don't know, but I still expect to see it.
A final note on this:  there was a sense when Iron Man brandied wits and, well, brandy with Loki, of these two actually being co-sympathetic, fundamentally akin -- with both being conniving, smart-as-sin, full-of-themselves court wits, who'll ultimately need to oblige themselves to more straight-laced kings.  You're right -- Iron Man's sacrifice didn't register (note:  I'm referring here to another of Aspan's comments; specifically that she "believed in Coulson's death much more than the movie ever made [her] believe that Iron Man would actually have to sacrifice himself to save Manhattan); and, we noted, it was the best that he had.  Penny is going to need to absolve him, and perhaps with this, absorb him -- already she wasn't seeming so second-fiddle; instead as if already reeling in the stray dog wanting his being reigned in.   

Comments

Popular posts from this blog

Discussion over the fate of Jolenta, at the Gene Wolfe facebook appreciation site

Patrick McEvoy-Halston November 28 at 10:36 AM Why does Severian make almost no effort to develop sustained empathy for Jolenta -- no interest in her roots, what made her who she was -- even as she features so much in the first part of the narrative? Her fate at the end is one sustained gross happenstance after another... Severian has repeated sex with her while she lay half drugged, an act he argues later he imagines she wanted -- even as he admits it could appear to some, bald "rape" -- but which certainly followed his  discussion of her as someone whom he could hate so much it invited his desire to destroy her; Severian abandons her to Dr. Talus, who had threatened to kill her if she insisted on clinging to him; Baldanders robs her of her money; she's sucked at by blood bats, and, finally, left at death revealed discombobulated of all beauty... a hunk of junk, like that the Saltus citizens keep heaped away from their village for it ruining their preferred sense ...

Salon discussion of "Almost Famous" gang-rape scene

Patrick McEvoy-Halston: The "Almost Famous'" gang-rape scene? Isn't this the film that features the deflowering of a virgin -- out of boredom -- by a pack of predator-vixons, who otherwise thought so little of him they were quite willing to pee in his near vicinity? Maybe we'll come to conclude that "[t]he scene only works because people were stupid about [boy by girl] [. . .] rape at the time" (Amy Benfer). Sawmonkey: Lucky boy Pull that stick a few more inches out of your chute, Patrick. This was one of the best flicks of the decade. (sawmonkey, response to post, “Films of the decade: ‘Amost Famous’, R.J. Culter, Salon, 13 Dec. 2009) Patrick McEvoy-Halston: @sawmonkey It made an impression on me too. Great charm. Great friends. But it is one of the things you (or at least I) notice on the review, there is the SUGGESTION, with him being so (rightly) upset with the girls feeling so free to pee right before him, that sex with him is just further presump...

The Conjuring

The Conjuring 
I don't know if contemporary filmmakers are aware of it, but if they decide to set their films in the '70s, some of the affordments of that time are going to make them have to work harder to simply get a good scare from us. Who would you expect to have a more tenacious hold on that house, for example? The ghosts from Salem, or us from 2013, who've just been shown a New England home just a notch or two downscaled from being a Jeffersonian estate, that a single-income truck driver with some savings can afford? Seriously, though it's easy to credit that the father — Roger Perron—would get his family out of that house as fast as he could when trouble really stirs, we'd be more apt to still be wagering our losses—one dead dog, a wife accumulating bruises, some good scares to our kids—against what we might yet have full claim to. The losses will get their nursing—even the heavy traumas, maybe—if out of this we've still got a house—really,...