Skip to main content

Pirouetting with Armageddon (3 July 2009)

It is also why my reading habits have long since led me to the British papers where wit, originality, and proper grammar aren't yet considered antisocial. And frankly, I'm not interested in socializing with my newspaper. [. . .]

I was doing research...Oh, all right, I was at the grocery store on a Saturday afternoon standing in one of those long "express" lines, and perusing tab covers while waiting to pay obscene amounts for broccoli.

I stood slack-jawed gazing at cover-after-cover featuring some unattractive middle-aged woman whom I had never heard of and her dodgy-looking husband. I asked the cashier who they were? She didn't know, but in putting out the magazines, had managed to glean that the husband was having an affair! I looked askance at the well-groomed 60ish woman behind me: she shook her head and shrugged her shoulders.

Intrepid reporter that I am, I pulled out a magazine, brandished it over my head, and addressed my fellow shoppers.

‘Excuse me: Does anyone know who these people are?’ I asked the assemblage. Much confused discussion followed, until a woman with a stroller transporting twins enlightened us all.

‘Oh, of course. If we don't know who some supposed-celeb is, it must be reality TV...,’ we all concluded, and went back to business.

Probably more than we need to know

But it was undoubtedly a community-building moment. I'm certain of this, because I bumped into one of the assemblage last week.

‘Hi, did you see Jon and Kate are getting a divorce?’ she asked.

I replied that there was a rumour that the Other Woman (a grade school teacher!) would be on a future episode. We chortled -- neither of us watches the show -- and scooped up our bags of apples secure in the notion that, should Armageddon come, neither of would be voting the other off the raft or out of the shelter because we were both clear on our status as nice, social people.

With the importance of self-preservation in mind, I've also stopped yelling at all the people playing that wretched, self-indulgent Thriller everywhere I go. (No pop song should be five minutes long!) I now realize they probably don't like the music any better than I do. They just want to say what all the grey-haired Baby Boom is thinking: ‘He was just X years younger/older than ME. (Shannon Rupp, “Science Discovers Celebrities are Useful for Something,” The Tyee, July 3 2009)

Note to Shannon: Writing a piece to demonstrate how elevated you are, could be read by some to be rather self-indulgent stuff. Also, identifying yourself so loudly with British wit and substance, and against crass works of popular culture (oh, the writing of the sports journalists!; oh, how I looked askance at all the wretched self-indulgence that permeated my glance!), identifies you as the country bumpkin with pretensions, able to believe herself refined only because she has no idea as to how a lady really thinks and feels. It all has to be done much, much, more softly, discreetly, casually. You thunder about too much: the words you use you think show your class, really mostly blast out at us. Right now, Armageddon struck me as an apt pseudonym. Right now, when you said you "bumped into [. . .] the assemblage," it was too easy to imagine said assemblage crumbling. Right now, when you said you "chortled," it was too easy to imagine you . . . chortling.

Also, word to the wise, if I were you, I wouldn't too loudly complain about the quality work doesn't guarantee recognition bit.

Link: Science Discovers Celebrities are Useful for Something (Shannon Rupp)

Comments

Popular posts from this blog

Discussion over the fate of Jolenta, at the Gene Wolfe facebook appreciation site

Patrick McEvoy-Halston November 28 at 10:36 AM Why does Severian make almost no effort to develop sustained empathy for Jolenta -- no interest in her roots, what made her who she was -- even as she features so much in the first part of the narrative? Her fate at the end is one sustained gross happenstance after another... Severian has repeated sex with her while she lay half drugged, an act he argues later he imagines she wanted -- even as he admits it could appear to some, bald "rape" -- but which certainly followed his  discussion of her as someone whom he could hate so much it invited his desire to destroy her; Severian abandons her to Dr. Talus, who had threatened to kill her if she insisted on clinging to him; Baldanders robs her of her money; she's sucked at by blood bats, and, finally, left at death revealed discombobulated of all beauty... a hunk of junk, like that the Saltus citizens keep heaped away from their village for it ruining their preferred sense ...

Salon discussion of "Almost Famous" gang-rape scene

Patrick McEvoy-Halston: The "Almost Famous'" gang-rape scene? Isn't this the film that features the deflowering of a virgin -- out of boredom -- by a pack of predator-vixons, who otherwise thought so little of him they were quite willing to pee in his near vicinity? Maybe we'll come to conclude that "[t]he scene only works because people were stupid about [boy by girl] [. . .] rape at the time" (Amy Benfer). Sawmonkey: Lucky boy Pull that stick a few more inches out of your chute, Patrick. This was one of the best flicks of the decade. (sawmonkey, response to post, “Films of the decade: ‘Amost Famous’, R.J. Culter, Salon, 13 Dec. 2009) Patrick McEvoy-Halston: @sawmonkey It made an impression on me too. Great charm. Great friends. But it is one of the things you (or at least I) notice on the review, there is the SUGGESTION, with him being so (rightly) upset with the girls feeling so free to pee right before him, that sex with him is just further presump...

The Conjuring

The Conjuring 
I don't know if contemporary filmmakers are aware of it, but if they decide to set their films in the '70s, some of the affordments of that time are going to make them have to work harder to simply get a good scare from us. Who would you expect to have a more tenacious hold on that house, for example? The ghosts from Salem, or us from 2013, who've just been shown a New England home just a notch or two downscaled from being a Jeffersonian estate, that a single-income truck driver with some savings can afford? Seriously, though it's easy to credit that the father — Roger Perron—would get his family out of that house as fast as he could when trouble really stirs, we'd be more apt to still be wagering our losses—one dead dog, a wife accumulating bruises, some good scares to our kids—against what we might yet have full claim to. The losses will get their nursing—even the heavy traumas, maybe—if out of this we've still got a house—really,...